The fairy-tale romance doesn’t always go to plan (Picture: Getty Images)
The Princess Bride inconceivably turns 30 this year and it remains the movie that taught every child born in the 1980s about the values of friendship, the nature of true love, and the great threat posed by Rodents Of Unusual Size.
In tribute to this masterpiece of fantasy cinema, here are 17 reasons why The Princess Bride is the ultimate 80s childhood movie:
It’s all in there
The film is a triumphant blend of action, suspense, comedy and romance, all in one unforgettable cinematic package.
Two for one
It works on two levels, being both a classic fairy-tale story and a loving pastiche of that genre.
It’s write on the money
The screenplay, which is unique, fresh and funny, was written by the author of the original novel, renowned Hollywood screenwriter William Goldman.
A fantasy cast
Cary Elwes, Robin Wright, Mandy Patinkin, Wallace Shawn, Billy Crystal, Christopher Guest, Carol Kane, Peter Falk, Peter Cook and Andre the Giant… as casts go, it really does take some beating.
The scraps were good
The film had fantastic sword fights created by the legendary combat choreographer Bob Anderson.
In particular, the clash between Westley and Inigo Montoya stands out.
The greatest in-fight repartee of all time comes courtesy of Westley and Inigo.
Full of mutual admiration and respect, Inigo says: ‘You seem a decent fellow. I hate to kill you.’
Every minute of Billy Crystal’s Miracle Max character is a joy.
He comes to our heroes’ aid when it is needed most and teaches us all about a nice MLT – mutton, lettuce and tomato sandwich.
And don’t forget: ‘You rush a miracle man, you get rotten miracles.’
The film has one of the best ever movie grandpas in the shape of Peter Falk.
Captivating his young grandson with his storytelling, he makes the observation: ‘When I was your age, television was called books.’
Inigo once again
The contribution of Mandy Patinkin as Inigo Montoya, sword fighter and adventurer extraordinaire who will not stop until he has his vengeance, is brilliant.
He also gets to deliver one of the all-time-great film lines: ‘Hello. My name is Inigo Montoya. You killed my father. Prepare to die.’
A big help
Andre the Giant’s Fezzik is both one of the kindest and most powerful companions of all time.
He’s one man you always want on your side if you’re ever in a scrape or simply just need to scale the cliffs of insanity.
After all, he IS the Brute squad.
Banter to the fore
The Battle Of The Wits between Vizzini and Wesley is a memorable example of what can happen when deductive reasoning goes too far.
Remember ‘never get involved in a land war in Asia’?
Let’s not understate just how funny the film is, too, especially Inigo’s observation regarding Vizzini’s use of the word ‘inconceivable’.
‘You keep using that word,’ Inigo says. ‘I do not think it means what you think it means.’
Mel’s in there too
Plus there’s a great cameo from the late great Mel Smith as the assistant torturer who really likes the Pit Of Despair.
The Cook effect
And let’s not forget ‘mawwiage’.
However witty and clever the film may be in parts, Peter Cook officiating a wedding with a silly voice will always be hilarious.
Underneath it all, it’s a story about true love, but it manages to never be overly saccharine or mushy along the way.
It is, as the grandson found out, enjoyable even if you don’t like ‘kissing books’.
The love bomb
The film’s central lovebirds, Cary Elwes’s dashing Westley and Robin Wright’s beautiful Buttercup, are the ultimate fairy-tale couple.
‘This is true love,’ Westley says. ‘You think this happens every day?”
Three little words
Finally, it promoted the three most important words in the English language: ‘As you wish.’